Nestled in the heart of Western North Carolina, Finger Studios is a newly revitalized recording destination in Asheville, NC.
Studio A
Originally built as a live performance room for radio broadcasts - has been meticulously restored as a state-of-the-art analog mixing and tracking environment. Anchored by a 24-channel Neve 8424 console, the room features a world-class collection of vintage outboard gear, boutique preamps, and first-class microphones, designed to capture performances with exceptional warmth, depth, and precision.
Studio B
A versatile tracking, production, and creative workspace that combines sonic accuracy with an inspiring atmosphere. Featuring 17-foot ceilings, natural skylight, robust acoustic treatment, and studio-grade double-pane glass windows overlooking the live room, it’s ideal for full-band tracking, overdubs, and intimate sessions alike.
The live room – a large, L-shaped space with soaring ceilings – is acoustically balanced for everything from drums and vocals to piano, and also doubles as a flexible venue for remote broadcasts, video shoots, podcasts, and private events.
At the entrance, a mid-century modern lounge offers comfort, privacy, and an additional shooting or listening space. Upstairs, the spacious roof deck shares the same sweeping view as the Grove Park Inn patio, offering an epic panorama of the Blue Ridge Mountains: the perfect backdrop for creative inspiration, listening sessions, or private gatherings.
History
WWNC – “Wonderful Western North Carolina”
Original to the building’s design and construction in 1939, the WWNC Radio Station was recognized as one of the most state-of-the-art broadcast facilities in the country – second only to RCA Studios in New York City.
Local, regional, and nationally recognized musicians once filled the airwaves from Studio A, performing live for WWNC’s AM radio broadcasts.
Finger Studios proudly carries this legacy forward, continuing Asheville’s deep musical tradition in the very same space that helped define the city’s early broadcast era. Housed in the former Citizen Vinyl Studio space, the studio honors the building’s remarkable past while establishing a new creative center for recording, production, and artistic collaboration.
A History Worth Preserving
Continuing the Craft of Publishing Human Communication
The Citizen Times Building in downtown Asheville has long stood as a monument to communication, creativity, and the documentation of regional history. Through nearly a century of change, it has remained an icon of integrity, storytelling, and craft.
Now home to Finger Studios, the space continues that mission in new form – a place where artists, producers, and storytellers gather to create, collaborate, and preserve human expression through sound.
A Piece of Asheville’s History
Built in just 15 months between 1938 and 1939, the Asheville Citizen Times Building was designed by architect Anthony Lord as the grand headquarters for the city’s two newspapers and radio station, WWNC.
Located at 14 O’Henry Avenue, the massive three-story structure, built of reinforced concrete, black granite, and limestone, remains Asheville’s finest example of Art Moderne design. With 22-foot ceilings, curved mezzanine railings, and 20,000 glass blocks providing natural light and insulation, there is no other space like it in the city.
For the past seven years, the building’s third floor has served as a restored broadcast and recording facility – formerly Citizen Vinyl Studios, and now reborn as Finger Studios – a modern analog recording studio and creative media space dedicated to advancing Asheville’s legacy of artistic innovation.
From Print and Radio to Modern Recording
Both The Asheville Citizen (morning) and The Asheville Times (afternoon) newspapers were founded in the late 19th century but came under common ownership in 1930 by Charles Webb. Webb also owned WWNC Radio, and in April 1939, he brought his newspapers and radio station together under one roof… the newly built Asheville Citizen Times Building.
For nearly five decades, the papers were printed in the building’s basement until printing operations moved to Enka, NC, in 1986. The two papers officially merged in 1991 as The Asheville Citizen Times, which continues publishing today from offices on the building’s second floor.
On February 21, 1927, WWNC Radio – short for “Wonderful Western North Carolina” – began broadcasting from Asheville’s nearby Flat Iron Building. Its twin transmission towers on the rooftop made it the highest broadcasting station east of the Mississippi, and its 1,000-watt signal reached across the southern and eastern United States, sharing the region’s art, music, and culture with the world.
WWNC quickly became known for its live musical performances, featuring orchestras, choirs, and mountain musicians alike. In 1927, Jimmie Rodgers, the “Father of Country Music,” performed on WWNC; and in early 1939, Bill Monroe & The Bluegrass Boys played daily broadcasts that helped launch the bluegrass genre itself.
That same year, WWNC moved into its new home on the third floor of the Asheville Citizen Times Building, with a cutting-edge studio complex built to the highest acoustic and technical standards of the era.
Today, that historic space lives on as Finger Studios: a meticulously restored recording and production environment that continues the building’s long tradition of broadcast, recording, and creative excellence, bringing Asheville’s sound into the modern age.
Legacy Timeline: From Broadcast to Modern Recording
1927 - WWNC Takes to the Airwaves
WWNC (“Wonderful Western North Carolina”) begins broadcasting from the Flat Iron Building in downtown Asheville. Its 1,000-watt AM signal becomes one of the strongest in the South, helping shape the region’s musical identity.
1927 - Jimmie Rodgers Performs Live
The “Father of Country Music” performs on WWNC, marking one of the earliest national broadcasts from Asheville.
1938–1939 - Construction of the Citizen Times Building
Architect Anthony Lord designs and completes the Art Moderne landmark at 14 O’Henry Avenue — a new home for The Asheville Citizen, The Asheville Times, and WWNC Radio.
1939 - WWNC Studio A Opens
WWNC moves its operations to the third floor, unveiling a state-of-the-art radio studio complex with advanced acoustics rivaled only by RCA Studios in New York.
1939–1950s - The Golden Age of Radio
Live performances fill the airwaves from Studio A. Regional and national acts bring Appalachian music to new audiences, cementing Asheville’s role in American broadcast history.
1986 - Printing Operations Move
Newspaper production relocates to Enka, NC, ending nearly 50 years of in-building printing, but the Citizen Times staff remains in residence.
2019 - The Space Reawakens
After decades of dormancy, the building’s first floor and mezzanines become home to a new wave of creative enterprise. The third-floor WWNC studios are restored and reopen as Citizen Vinyl Studios, blending historic architecture with modern music production.
2025 - Finger Studios is Born
After seven years as Citizen Vinyl Studios, the third-floor space enters a new era as Finger Studios: a fully modernized analog recording and production facility honoring the building’s legacy of broadcast, music, and creative craftsmanship.
Gear List
Console/Core System
- Neve 8424
- Neve 1073OPX (8 channels x1073 pre’s)
- Burl B80 Mothership
- Burl B2 Bomber
- Protools Native Thunderbolt
- UAD2 Satellite
- 5×48 point custom hand soldered patch bay and custom cut / hand soldered cabling
Compressors
- Retro Revolver
- Purple Audio MC77 x2
- API 2500
- Empirical Labs EL8 Distressor
- Compex F765 x2
- Rupert Neve Designs 535 x2
- Tree Audio L/C1 x2
- Grandchild 670
- Acme Opticom XLA 500
- Inward Connections – The Brute
- Neve 2264 x2
EQs
- Heritage Audio MotorCity x2
- Chandler TG 12345 Curve Bender
- Rupert Neve Designs 551 x4
- API 550b x2
- Great River Harrison 32 EQ x2
- White Instruments EQ x2
Preamps
- Neve 1073OPX (as mentioned above)
- Neve 1073 500 series x4
- API 512c x2
- Cranborne Audio Camden x2
- Helios 500 type 69
- Chandler Abbey Road TG Channel
- Avalon U5 class A direct box
- Reddi v2 2 channel direct box
Synths & Keyboards
- Prophet 10
- Moog Matriarch
- Waldorf Iridium
- Korg Prologue
- Oberheim OB-X8
- Moog Minimoog Model D, 1974
- Arturia Microfreak
- Swarmatron (rare, custom build)
- Custom Modular synth rack
- Isla s2400 (drum machine)
- Kenton pro 2000 mk2
Effects
- Eventide H3000
- Echo Fix EF-X2 tape echo
- Tegeler Raumzeit tube reverb
- Lexicon PCM91
- Demeter Real Reverb D spring reverb
- AMS RMX16
- Korg SDD-2000
- Enjoy Reminder
- Diverse fx pedal collection
- Fractal Audio Axe-FX II / III – Digital guitar amp/effects modeler
Microphones
Korby convertible system:
- Korby U67
- Korby 251
- Korby 800
- Royer 121
- Sennheiser 441 x2
- ElectroVoice re20
- Various dynamic mics
Racks
- Heritage Audio MCM-8 II
- API 500V
- API Lunchbox (8 space)
- Tiptop audio modular rack x2
- Cube Workhorse
Guitars
- Custom Fender Telecaster circa 2010
- Custom Fender Telecaster circa 2004
- Hagstrom Viking, custom pickups
- Taylor Koa Wood custom acoustic
- Horner Bass
- Univox P-Bass copy…best sounding bass I’ve heard
Amps
- Vox VR30R
- Aguilar 4×10 cab